1. REVOLUTION FROM RUSSIA
Starting from Russia, ballet had freed itself from the corset of the opera at the beginning of the 19th century and gained worldwide fame and recognition as classical, romantic ballets. Now, at the beginning of the 20th century, the Russian Sergei Djagilev is pressing ahead with epochal changes. The expressive dance breaks with the traditions of classical ballet and forms an avant-garde with the Balletts Russes, which we could already observe in painting shortly before.
2. ALL ROADS LED TO PARIS
The cultural and art scene gathers in Paris at the beginning of the 20th century. Free spirits such as Picasso, Gertrud Stein, Hemingway or Stravinsky live almost next door to each other in France. In addition to literature, the mutual inspiration takes place above all in painting, and the public clash of their different styles is reflected in the changing costumes and scenery of the Balletts Russes.
3. SENSUAL ECSTASY
The staging of Claude Debussy’s “The Afternoon of a Faun” is a shock for Paris audiences in 1912. Nijinsky wrote the choreography himself and takes on the role of the faun. Unabashed and in love with himself, he makes clear sexual allusions and triggered a debate about the aesthetic value of dancing.
4. A WHIFF OF CHANEL
It is not only painters who create costumes for the Ballets Russes, but also other artists, including fashion designer Coco Chanel. Compared to her contemporaries, the style icon stood out for her elegant but rather restrained designs. The most beautiful and important costumes for the Ballets Russes were created by Leon Bakst.
5. MUCH ADO ABOUT NOTHING?
The Balletts Russes also revolutionize music. The composer Igor Stravinsky shocked the audience of “Le Sacre du Printemps” with dissonances, changes of beat and strong rhythms, which accompany the backward and seemingly clumsy movements of the dancers. The audience reacts with angry interjections, whistles and provocative laughter. The Parisian audience, accustomed to fine tones, is so agitated that fights break out between supporters and opponents; 27 people were injured.
In 1909 Diaghilev hired dancer Nijinsky for his ballet ensemble and called it Ballets Russes for the first time. The opening in Paris with various popular dances was very successful. (2)
A stage for the fine arts: Russian impressario Sergei Diaghilev hired the best musicians, Russian dancers and painters for his plays. (photo Beltracchi)
There can be no avant-garde without scandal: the performance of “The Rite of Spring” ended with booing and had to be interrupted several times. (photo Beltracchi)